Cement Keyboard Street Installation Project 2012

Cement Keyboard Street Installation Project 2012

A New Cement Keyboard Street Installation has hit NYC in early 2012. Technology is ephemeral, and maybe more so than we think. We are co-dependent on it, and feel a certain kind of discomfort when it is not accessible (Have you ever, or recently lost your mobile phone, or had your internet access turned off?) This installation project is a metaphor for that, while examining several ways to extend and communicate with its energy. The keyboards are cast in a variety mediums, but in this specific installment, it is cement. The molds are then fractured. They are not usable in any way, yet the viewer resonates with the works as they pass them. In a strange and not so sensual way keyboards unify us as human beings, and the context of this unification is only in its infancy.

Original Post:: http://wp.me/p2SFO-Dt

ENERGETIC FUSION :: A new Exhibition by Jeffrey Allen Price & Ryan Seslow

::ENERGETIC FUSION::

A new two man exhibition by Jeffrey Allen Price & Ryan Seslow.  March 26th – May 3rd 2012, CUNY York College Art Gallery, Jamaica NY. Full information coming soon, please check back for full details.

Original link:: http://wp.me/p2SFO-Dm

Art work of the Month:: February 2012

The images in this series above and below are based on my frequent confrontations with mass, form, and reduction. This technique, carving and subtracting mass away from a solid volume has forever found a place in my desire to create sculpture and 3-Dimensional art forms. Like most high school students being exposed to new art making techniques, this one stood out for me. When I entered my undergraduate BFA program, although not majoring in sculpture at the time, (my MFA is in sculpture) I did maximize the sculpture courses that were available. I reduced pretty much every solid material I could get my hands on. Reductions were taken away from clay, plaster, wax, foam, limestone, alabaster, and ice. I still enjoy and continue to work with these materials. I am drawn to clay because I can create with an immediate and urgent energy. Results are fast and measurable. Simply put, it is my intention to create and discover new forms. This is indeed the case with this series presented here. The whole process took about 3 hours. Two hours are dedicated to the reduction of mass and creation of negative spaces. Discovering complimentary positive and negative shapes help my eye travel through the piece. A continuous linear flow is important to me. As I discover secondary contours I tend to repeat the most interesting ones. This is a purely aesthetic process. I spend time observing the piece as it develops. Once the sculpture is completed I spend about 2 hours rendering drawings of the form. The forms in these drawings later become content for my paintings.

Milt the Keyboardian Cartoon

Milt the Keyboardian Cartoon

Milt the Keyboardian. A Cartoon By Ryan Seslow 2012.

VIDEO>forward :: Coming this April 2012

Curated by Ryan Seslow

VIDEO>forward is a survey of Video Art, Experimental Film, Sound/Music Installation, Process & Documentary.

The exhibition will run as a part of:

The Streaming Festival’s Program Archive http://www.streamingfestival.com/program/programs-2011.php

http://www.streamingfestival.com

The official artist list will be announced shortly.

NEW Installation Peek 1/14/12

Installation Peek 1/14/12

Installation Peek 1/14/12

Just a Sneak Peek, 1/14/12, this new installation is a part of my two man show with @Borbay It is about 65% percent complete after a 2.5 hour wall composition building session today. The show officially opens this Wednesday 1/18/12 @ The Br. Chapman Gallery, New Rochelle, NY. The official opening is Sunday January 22nd @ 1pm. More info here:: www.flickr.com/photos/rmsmovement/6437995731/in/photostream

What do the installations mean?

See my statement here:: http://wp.me/p2SFO-yM

Artist Profile:: Nung-Hsin Hu

Artist Profile:: Nung-Hsin Hu

I met Nung in 2008 while she was working on her MFA at LIU’s CW Post campus. Right from the start I admired her conceptual video art works and prolific large scale sculptures. In 2009 I was invited to create a Video Art program for the Streaming Festival’s Special programs archive. Nung’s work was featured in the international exhibition.

BIO:: Nung-Hsin Hu was born 1981 in Taiwan. In 2006 she moved to New York to pursue her MFA in Fine Arts at Long Island University.  Since she earned her MFA in 2009, Hu primarily has been working in sculpture, installation, and video. She has exhibited in the U.S. and abroad. In 2008, Hu was honored  with the Outstanding Student Achievement in Contemporary Sculpture from the International Sculpture Center. In 2010 she received the Jamaica Center for Arts and Learning’s Van Lier Fellowship, Taipei Artist Village’s Boundary-Break-Through Project Grant, the NYFA-Mentoring Program for Immigrant Artists and the fellowships from the I-Park residency, CT, as well as the Casa das Caldeiras residency in São Paulo, Brazil.

Nung is currently coordinating the video group “Traffic Jam.” A three month  community based video project residency in the Taipei Arts village, Treasure Hill from Jan 9, 2012- April 8, 2012
 TRAFFICJAM is a project-based collective that unites international artists in an urban environment. Intercultural collaboration and communication through artistic engagement is one of the goals for the group. Sharing a common interest in the medium of experimental video, the group was created to collaborate and to inspire one another while exchanging ideas through the creative process. These artists had previously collaborated through the Exquisite Corpse Video Project since 2008. The difference between these projects are that TRAFFICJAM #1 Sao Paolo, Brazil and TRAFFICJAM #2 Taipei, Taiwan are based on the artists interacting among themselves in a real urban space to create the final work, while previous projects were based on swapping files online and meeting for discussions on virtual forums.
TRAFFICJAM #1 was the first edition of the project that intends to migrate internationally collecting experiences for new work. TRAFFICJAM #2 has been schedule in Taipei, Taiwan for 2012 where a group of thirteen artists from 8 different countries will gather to develop their own work, (Brazil, UK, Canada, Germany, Taiwan, Colombia, Slovenia and Sweden). TRAFFICJAM #2 will be based at Treasure Hill Artist Village (THAV) for three months (January till March 2012). THAV is an unique historical village part of Artist-in-Residence Taipei (AIR Taipei). It provides a platform for a diverse cultural collaboration across artistic disciplines encouraging exchanges between International and Taiwanese professional artists.Through an intense period of residency, living and working together, each artist will create a video in response to the host city. The final works will reflect personal perspectives on a wide range of social, cultural and political issues that the artists have encountered while in Treasure Hill village and Taipei city. At the end of the three months residency , the artists will hold a final exhibition at the Cross Gallery at Treasure Hill Artist Village sharing their unique experiences with the local communities and public. The show will include TRAFFICJAM # 2 videos as well as the students video works from
the workshops.
Here is the Traffic Jam website (the previous project in Sao Paulo)
Traffic Jam is the transformation from the previous group ECVP-
Nung’s personal website ::  http://nunghsinhu.com
View the original link to this post:: http://wp.me/p2SFO-xV

My Installation Works Explained, Part 1

Over stimulation as Energy:
I’m over-stimulated, I admit it. I also admit that I love that part of myself. My case of over-stimulation, which was once claimed, be to be “hyperactive” seems to have transcended itself nicely. I cant blame the doctors of the 1970′s who’s misdiagnosis of my early symptoms of radical creativity were in fact something else…I think I will send them a image from this show, as well as some of the other images in this series. I’m interested in fragments as a subject matter and also as a muse for exploring content. Fragmentation has a strong association with the context of things being modular. Meaning, many parts come together or function together to make up a whole. My installations are linear sequences.  They are based on a time-line of repeated mental images. I think about this a lot. Since our birth, we have been exposed to thousands upon thousands of images. Not only the physical images that we see, but print and digital media as well. Much like our thoughts, many of the things that we see day in and day out are repetitive. We participate in this unconsciously for the most part. I do believe that we can alter this if we want to, but it takes work, and that is a whole other blog post. We participate in the recording process of the images that we are exposed to, and we can even attach meaning and emotions to them. Why do clowns still make you feel terrified, and you are 43 years old?  Think about where this comes from, and how that images and feeling has stayed with you. I’m now in my late thirties, and I feel that I have a good solid inner index of content stored. Of course we can’t recall everything that has crossed our eyes, but what does that internal index of stored images look like? This is part one of my installation concept definition; to create large scale stored mental collages. I create visual environments to exercise that energy. They are much bigger than we are physically. I hold or have held onto a lot of these specific images in the works for reasons both known and unknown. Modern day advertising also plays a role. They figured out how to scientifically make an image and a feeling stick to people through their ads. It enters our physiology and our consciousness triggers, and it propels us into action. We buy things as a result. I find that fascinating. Sometimes I select images to work with purely due to their aesthetic qualities, or for their traditional principles. Line, color, shape, texture, and value have always captured my continued interest. While other images appear to be objective at first glance, their placement in the installation suggests otherwise. My visual influences appear in my work. My love for bright colors, forms, 1980′s cartoons, video games, and graffiti have transcended over two decades in my work. The installation set up process does not have a set plan. The works are laid out on the floor. The pieces, parts, forms, and colors become more and more relative as I gaze at them. Something happens, a physical urgency sets in, a creative impulse to compose and arrange attacks me. As the installation process develops I feel as if I am liberating the imagination and the unconscious. The stored images and their stories that live inside of me finally have an outlet, a place to create a dialog, and reveal themselves to others. The works take on their own life, a narrative begins, and the viewer must dictate it’s meaning or tell the story. I have cultivated this into a new faculty and a habitual ritual with my imagination.  The result of this process executes a large-scale mental collage of the past, present and future of my human experience.  The piece will exercise a multidisciplinary form of drawing, painting, printmaking, sculpture, and video art. For those who come to see the works in person, the installations are there to show you that you are your creative potential; it is bigger than you are physically and mentally. That is the metaphor. It lives with in each and every one of us. It is my intention to make other human beings take creative action as a result of experiencing my work.

My next installation based exhibition will be at the Chapman Gallery in New Rochelle, NY (right outside NYC) It is a two man show with NYC artist @Borbay. The show will be installed this week, and it opens on January 22nd 2012. Hope to see you there! See the details here::

Link to the Sneak Peek::

http://www.flickr.com/photos/rmsmovement/6698839895/#/

New Installation @ The Br. Chapman Gallery January 2012

A Visual Manipulation of Your Senses.

“A Visual Manipulation of Your Senses” is a short video art piece that was created a few years ago. It’s a single channel video meant to loop over and over again, (but you as the viewer in this context must manually replay the video in order to watch it multiple times over the internet.) In the past, I have used the video as an additional component in several of my large scale installations. In this context, a looping DVD would automatically play on a flat screen monitor that was hidden within the installation fragments. The video was created from several still images of my drawings and paintings. This was mostly based on a colorful series of works on paper. I used imovie filters to create the grainy effects, nothing fancy. The mirror effect metaphorically communicates two sides to everything that we perceive. We have our own perception, and the opposite one, which could be the perception or interpretation of another person, or a part of ourselves that we do not see. Sometimes things that we need to see or understand are right in front of us, but somehow, it takes us a long time to see it. I suppose, we all have lessons to learn, hence the bumps in the road. The colors, forms, and shapes represent the infinite amount of creativity that we experience on this planet. The elements of art remind us that we are connected to everything and everyone in so many ways. This idea makes us omnipotent. The video provokes the viewer by letting them know that they are participating in an experiment. One that has the ability to change their old behaviors. At this moment the viewer resonates with what is indeed an unwanted personal behavior. The video claims to remove the old behavioral patterns by simply watching. Perhaps this experience is enough catalyst to actually induce one to take action. A change of heart, or a decision to change may be activated.

Light Projection Installation Ephemera.

Projection Installation.

Studies with Light, Space, & Ephemera, this installation challenges the context of my living space.  I enjoy having the control over what happens in this space with my work. Technology expands with or with out us, that is kind of scary and exciting at the same time. It makes me think about what my direct relationship to technology is. Especially since I am interested in using it as an art medium. It seems more and more like an experiential perception of our own sub-personalities. Perhaps some that we do not know very well yet? I love technology, and how I am continuing to find more ephemeral uses of it to generate new art. This installation lasted for about 2 hours. I documented it by taking several photos, and some video, but now it seems to be transcending itself into sharable data. I had been playing with the idea for a while, but I had not completed a solid body of enough work to potentially show. Just recently my good friend and colleague Winn Rea and I had a conversation about some of the projects that we will doing with our 3D/4D Design students at LIU’s CW Post campus this spring semester 2012. The course emphasizes the principles of 3D design and studio techniques in sculpture. We have since added a 4D aspect to the class using video as a means to experiment, understand,  and learn how to use “time” as a means of communication. The students resonate with this as most of them are tech savvy. Winn came up with a great idea to have the students create the time based video works by incorporating objects to project the works directly onto.  I will share the results while they are in progress and when they have been completed. I will also participate in this project myself.

What I learned from Melting Ice.

Ice projecting the potentials of time….

I learned something valuable about time and ideas from melting ice. Yes, time and melting ice in relationship to our ideas. OK, so I think in metaphors, it’s a creative way for me to connect to things and retain them.  Are you wasting time with creative ideas that you have? Putting off your ideas for tomorrow, or the weekend, or how about when you have time over the summer? Take action on your ideas my friends. Don’t let creative ideas or energies leave your first impressions or intuitions. If you do, they just may get slurped up into the great abyss of your everyday busyness. Not only that, someone else will take action on a variation of your idea. We all share the same energies on this planet, so believe me, creative ideas will find the right person who is the most ready to take action on them. If you fail to take action, it may just be gone forever, fallen victim to the ego’s plan to distract you. The ego is very good at this! You may later find your same idea has been implemented by someone else in another state, country or on another continent only to find the success it is achieving as a work of art, a business, or service. I have jumped out of bed at 4:00 AM on many nights just to take action on ideas that have hit me in dreams. I know that this may seem extreme, but what follows after the action has been taken will solidify your understanding and need to develop that something. This “something” is always charged with excitement. Inspiration comes and goes just as fast as it arrives, so immediacy is necessary. Plus, this is a great habit to form. It is a form of practice for the brain as we do co-create our behaviors. I do feel that if initial action is taken at “that nudge”, it may be a day later, or even a week or two, but the next piece of the puzzle will then present itself, and you will say YES to it when it arrives because you are literally waiting for it. Action taking can be executed in several small ways. You may simply write down your inspired energy, idea, or nudge. This solidifies your awareness of it, it has been transferred from the non physical, to the physical and tangible. You may call or talk to and friend, spouse, or colleague to discuss your idea, or you may create a blog post about it! The creative process really excites me. The fact that we can create tangible things out of ideas, feelings, inner nudges, or philosophies ( those things are all non physical) seems like magic. I never take that for granted. Instead I’m aware of that. You are your creative potential, you are your memory banks of infinite ideas. Allow them in, and follow their lead! The image above was created all in about 2 minutes time. An artist was removing a show from the gallery space in the building where I teach at LIU here in NY. Upon walking into the building, I noticed these fantastic icicles hanging very low off of the buildings roof. I simply reached up and grabbed one to inspect it, and carried it with me inside. I was intrigued. I noticed an empty shelf like pedestal and placed the icicle onto it. The whole gallery was now empty, except for this organic element, it was now transcending its energy. Its transformation could be measured only with a quick photograph, and with in 20 minutes it was no longer solid, it had become fluid knowing that it will return back to no-thing. It was gone. I found a great metaphor in this. Later, when I looked at the photo, it became a reminder of the action that I took so I keep the image handy. So, if and when I find myself needing a reminder to take action on things, before they melt away, this image has become one of my best resources. Time moves on with our with out our participation, I chose awareness.

Insights on Form & Awareness

I stand before something ancient today, the structure is aesthetically beautiful, but I have a hard time getting my head around it. There are several other structures like it, some older, some younger. There are also several super modern structures next to it too, architectural masterpieces from yesterday and today, they live together simultaneously in the three dimensional world of form that we perceive. It is amazing and thought provoking. The simplicity and complexity of forms. The can never die, only transform themselves into more. They can simplify and de-familiarize us to their existence. The contexts of the content also grabs our attention as our energies and thoughts solidify into ideas. These are creative ideas, ideas worth taking action on, because they are expressive. When you SEE something that causes you to stop, and your world then stands still, acknowledge this as an awareness of creative importance. If you do that, I promise that you will have more of these eureka moments. It does some practice however, but that practice with awareness will lead to ideas, creative ideas that will force you to take action. Something tangible will come out of that. Share your results!

 

A relationship with Immediacy, the Unconscious, & Drawing

This drawing took about 2 hours to execute. It’s a nice reminder for me. It’s yet another tangible example of how immediate drawing is. In this case, the immediate “action” of drawing. I didn’t have a plan, idea or concept to work from. I simply wanted to draw. My focus was on the subject and thought of drawing. Sometimes we have to get out of our own way and just let our unconscious express itself. More often than not, it is the unconscious that is trying to get our attention. It has something important to share, but often, we dismiss it, or second guess it. Why? I am really enjoying this drawing. I’m also enjoying getting out of my own way again. In reflection, the drawing has induced an old series of memories. For years I had fought a love hate relationship of being perceived as an ” illustrator.” Especially back when I was in undergraduate college. I cant image why I would create such a limiting belief back then? But at the time, I was younger and insecure as the competition back then seemed intense. I used to confuse infinite creativity as competition. Pretty funny to think about that now, but at the time it seemed real. I always wanted to be known simply as an artist, I never wanted a specialty, or an artistic title, and I still don’t. I know better now of course, perceived titles are little boxes we create for ourselves. We can hang out in them for a while and learn something ( which is a good healthy thing when we GET the lesson ) or we can linger there forever thinking the outside world has held us in there…ouch.  This unconscious drawing tells me that I still want to work from my imagination more often. I’m repressing desires, unexplored content, and subject matter. I’m going to let go of my familiar rules when contemplating a body of new works. I seem to have a desire to create more fictional characters, compose them into unrealistic situations, and also revisit some of my old techniques. I’m excited and grateful to be a part of the process. Sharing it seems to also help.

NEW Ryan Seslow Limited Edition Screen Prints Available.

 NEW Ryan Seslow Limited Edition Screen Prints Available Get a Print & a T-shirt now:: http://www.newyawkteeshirts.com/collections/all

Ryan Seslow Limited Edition Screen Print from 2011. There are only 25 prints in this very limited edition "NEWYAWK". Each print is hand pulled, signed, numbered, and dated 2011. The prints are safely shipped flat. Each piece is printed on Canson rives acid-free paper. The printed size is 11x14 inches. Total price including shipping = $60.00.

Ryan Seslow Limited Edition Screen Print from 2011. There are only 25 prints in this very limited edition "NEWYAWK". Each print is hand pulled, signed, numbered, and dated 2011. The prints are safely shipped flat. Each piece is printed on Canson rives acid-free paper. The printed size is 11x14 inches. Total price including shipping = $60.00.

Limited Edition Screen Print from 2010. There are only 8 prints in this very limited edition "Light Blue Series". Each print is hand pulled, signed, numbered, and dated 2010. The prints are safely shipped flat. Each piece is printed on Strathmore acid-free drawing paper. The size is 11 x 14 inches. Color variations will also be printed through out the year. Total price includies shipping = $60.00

 Get a Print & T-shirt now:: 

http://www.newyawkteeshirts.com/collections/all

Also available are the classic NEWYAWK t-shirts ::

 http://www.newyawkteeshirts.com/collections/all 

NEW VIDEO WORKS:: Fresh Stencils

NEW VIDEO:: A Series of Fresh New Stencil works bounce by to a new rhythmic groove. The ART of Ryan Seslow.

Audio Visual Digital Hybrid

Audio Visual Digital Hybrid

Originally uploaded by The ART of Ryan Seslow Retrospective.

Phil was an Audio Visual Digital Hybrid, he had no idea until a recent photo that a friend had taken of him proved so…

Chalk Board Bombing – A New Image Archive.

This gallery contains 1 photos.

http://www.flickr.com/photos/rmsmovement/sets/72157627925471274

JAZZ HEAD

JAZZ HEAD

Originally uploaded by The ART of Ryan Seslow.

This is an illustration that I created in 2008 based upon Cannonball Adderley feat. Miles Davis on “Autumn Leaves”. After listening to the piece over the course of several years, this is what I created to communicate just how the piece continues to move me. The colorful illustration has since been revised and transcended into several other pieces of art. Listen to the piece here:: http://www.youtube.com/watch?v=PPHtQn1t1n4

Painting, 5 Forms.

Painting, 5 Forms.

Originally uploaded by The ART of Ryan Seslow.

A new composition study based on 4 individual paintings. This will be a large series of pieces executed in oil stick, oil paint, and acrylic paint. The size has yet to be determined because I will make several variations. The original paintings, a series of 4, sold to a collector in southern New Jersey in 2009. I liked the paintings so much that it was hard to let them go. After the sale, I began playing with the individual images by turning them into drawings, stencils, and silk screens. I am still working out ideas with the printed matter, but I will make a return back to a more traditional approach as I feel the forms themselves are very strong. Mixed with vibrant day glow like color, the eye flows easily around the exterior contour lines while bouncing from color to color. These images are based on a series drawings that I did in 2006. The drawings are taken from a series of clay reduction sculptures that were fired and never glazed. The sculptures were created horizontally, but I find that they work better as vertical forms tuned flat.

New Installation @ The Hillwood Art Museum 11/21/11

New Installation @ The Hillwood Art Museum 11/21/11

@ryanseslow New Installation @ The Hillwood Art Museum 11/21/11, This image is from my contribution to the LIU CW Post Art Dept. faculty Exhibition 2011. Nov. 28 – Dec. 14 Hillwood Art Museum, Brookville, NY. Opening Reception – Dec. 1, 5:00 p.m.- 8:00 p.m. 2011

On drawing and seeing, more.

On drawing and seeing, more.

Originally uploaded by The ART of Ryan Seslow.

The image above is a drawing based on observed ideas constructed from an empty bleach bottle, and what else it can be. A picture is a “something” upon a flat surface. A drawing is a matter of certain marks that can be executed onto a piece of paper, and how one will translate those intricacies. The great, or not so great, yet still visual or imagined impressions of lines and tones is the business with which our technique is concerned, or perhaps abandoned through the repetition of poor habits. The ease, as it will become easier with practice, yes, practice, with which an artist will be able to remember an impression in a form from which he can work, will depend upon his power to analyze both an inner and outer vision in this technical sense. The more one knows about what I call “the anatomy of picture making”, will show how certain forms produce certain effects. It will be easier for him to carry away a visual memory of his subject that will stand by him during the creative, or tedious hours of his labors at the picture. The more one knows and understands the expressive power of lines and tones, the more easily he or she will be able to observe the vital things in nature that convey the impression one wishes to memorize. The more that you see..the more you will see.

Imagination, is derived from the word, Imagine.

Imagination, is derived from the word, Imagine.

Originally uploaded by The ART of Ryan Seslow.

Imagination, is derived from the word Imagine. This means, the faculty or power of the mind “to actually imagine”. To imagine, means to form an image in the mind. An “image” means, a likeness, a picture, a representation, a copy, or an appearance. More briefly, IMAGINATION IS SCIENTIFICALLY DEFINED AS THE FACULTY OF FORMING AN IMAGE.

Taken from the Technophemera frozen keyboard series 2010

New Exhibition:: Coming Soon! Street Legal : 1/22/12

New Exhibition Invitation Card for Street Legal.
This is the official invitation card for my 2 man exhibition with @Borbay. Further details will follow soon!

Artist Profile :: Borbay

Borbay is one of my favorite artists. He is a painter and a super creative. Borbay and I met over twitter. Yes, that’s right, on twitter. (@borbay) We connected through mutual contacts re-posting each others links. We established a connection right away. He has since become an outstanding  guest lecturer for my art appreciation course at Iona College, as well as a fellow exhibition partner. Borbay curated a great show of diverse artists downtown last April. I was lucky to be included in the show. We have upcoming exhibitions in two different venues this winter and spring of 2012 here in NY.

 

 

 

 

 

 

 

Voted Time Out New York’s Most Creative New Yorker in December 2009, Upper East Side artist Borbay has painted textural portraits and famed locations around the world, including The Guggenheim, TriBeCa Grand, Woolworth Building, Elaine’s, Chrysler Building, Hancock Tower (Chicago), Runaway Bay (Jamaica), Welcome to Las Vegas Sign and San Marco Cathedral (Milan). His work is comprised of collaged New York Newspaper headlines, and layer upon layer of acrylic paint. Driven to capture the actuality of society, this series visually displays the paradox of love, lust, murder, sex, sports, betrayal, triumph, religion, rape and politics in one place… concepts any person reading a daily newspaper will see juxtaposed without a second thought.

 

 

 

 

 

 

 

Borbay’s recent #KingsOfHipHop exhibition opened to a capacity crowd in the Meatpacking District, and was covered in Forbes. Beyond the canvas, Borbay branded Bomb Wines, which launched to great fanfare in Montclair, NJ. His architectural impressionist collage paintings have been featured in Time Out New York , Wall Street Journal Japan, New York Post, Whitewall, The Huffington Post, The Source and more. Process-driven, Borbay shares the creation of each piece through social media, posting frequent updates to his blog, Twitter, LinkedIn and Facebook accounts. If art plus social media is the new frontier, Borbay intends to be at the forefront. Check out what he is currently working on here:: http://bit.ly/so3kiA

Check out Borbay’s official site here:: http://www.borbay.com

Borbay and Ryan Seslow will be exhibiting a 2 man show together this January 2012::  STREET LEGAL will open on Sunday 1/22/2012 at the Chapman Gallery, Iona College.

Reflecting on HALA – Hillside Arts & Letters Academy Logo Design & A Screen Printing Workshop

Reflecting on HALA – Hillside Arts & Letters Academy Logo Design & A Screen Printing Workshop. June 2011

HALA Official School Logo

In late 2010 I had completed a commission for the Hillside Arts & Letters Academy, a newly installed NYCDOE high school here in Jamaica, NY. The high school’s principal Matt Ritter was not only the creator of the school itself, but also a good friend from our own high school days in the early 90′s. It did not surprise me that Matt was now running this school. He was always a great inspiration to me. He’s an amazing guitarist, singer, songwriter, and one of the main reasons why I myself picked up the instrument in 2001. Eleven years later, and I am still playing. We ran into each other “by chance” one evening after not being in touch for about 4 or 5 years, he mentioned that he wanted to talk about an up and coming project. We exchanged updated info. When he contacted me with the news about the new high school program, I was happy to hear about it. The mission statement of the high school states:  “Hillside Arts and Letters Academy is to offer students a challenging college preparatory curriculum with a special emphasis on visual arts, music, and writing. Students at Hillside Arts become self-directed and resourceful learners with a deep appreciation for the arts as not only a source of enjoyment and personal growth but also as a path to understanding and changing society. We prepare students to graduate as independent thinkers who are academically well-rounded, creative, and especially well-prepared to innovate and collaborate.” I was really inspired once again by my old friend Matt. He proceeded to extend an opportunity to me. He wanted me to design a fresh new logo for the school. I went to meet with him a few times to discuss the development of the project, and after a few weeks, and a few revisions, the image above was born and put right into action.  The image above is the official school logo. We were both really happy with the design. It is vibrant, energetic, and suggests a sense of visual movement. Creative movement that is. The story does not end here, so please read on.

Official Logo & the Winning Student Designs

Take a look at HALA’s :: Official Site - http://hillsidearts.org

hala screen print workshop 6/2011

HALA, as it is called for short, is very close to where I teach 2-d design at CUNY York College. Matt invited me back a few months later to meet some of the students. They were not only ambitious, spontaneous and witty, they had ideas, and plenty of them! While I was working on the logo, I mentioned to Matt that we could easily create a silk screen of the main logo to promote such things like t-shirts, flyers, or posters to promote the new image. It’s an effect way to make multiples in an efficiently creative way. He agreed and passed the idea along to his students and colleagues. They liked it. We scheduled a new meeting with the student organizers and Matt Yellin, who is also a teacher at HALA, we got right to work. The students decided that they wanted to create a design contest for the first series of screens that would be created. This meant that all interested students would have the opportunity to submit. Colorful t-shirts of as well as shorts would be the destination for the designs. An order for a healthy stock was arranged. Printed garments such as t-shirts and athletic shorts are an effective way to promote the screen printing craft, while displaying the creativity and school spirit. Matt asked me to also include two designs of my own. One being the schools official logo, which creates a familiar branded image, as well as another image that would unify each of the schools academic disciplines.  Students had a few weeks to create and submit their designs. After a selection process was completed, we proceeded to create the screens. The silk screens were prepared using photo emulsion and an ultra violet light box to develop and burn the images onto the screen. This is a popular method of creating silk screens as all of the original image quality is retained. The students were happy with the preparation results.

We talked about placement and registration to align our screens before we printed. We went over tips and demonstrations on how to use the squeegee. We learned how to avoid the overuse of paint, while keeping ones hands clean and free of paint exposure as the shirts need to be handled after each print. The students also learned that the acrylic paint dries extremely quickly in the screen and printing must be maintained at a consistent pace. The students worked well under the technical immediacy of the new skill that they learned. We were all really impressed with their teamwork and diligence. Most of all, everyone had a lot of fun.

students worked together, taking turns by holding and placing the screens, while the other printed.

The 1st official HALA silk screen printing work shop was held in late June of 2011. Several members of the student body participated and worked together in small teams. Over 60 shirts and several pairs of shorts were printed during the workshop. Matt Yellin and Bethany Trust helped facilitate the workshop. They also took several photos as documentation, including the images in this post. (Thanks so much)

Group photo

Artist Profile:: Nina Buxenbaum

Nina Buxenbaum::

I met Nina in the spring of 2005 shortly after being hired at CUNY York College in Jamaica, NY. She has since become the coordinator of the fine arts program, a colleague and friend. I was first struck by Nina’s work in 2007 during a faculty exhibition that took place in the campus gallery.  Her large vibrant paintings and expressive drawings created great visual contrast and complimentary tension towards each other. I really enjoy the way that her works speak to each other, as well as to the viewer. She continues to produce high quality paintings with exciting, thought provoking content that makes the viewer look deeper into themselves, and others. Her work takes me to a reflective place, where I am induced to create narratives.

Painting by Nina Buxenbaum

Nina Buxenbaum was born and raised in Brooklyn, NY to a politically active, multi-racial household.  She received her MFA degree in painting from the Maryland Institute College of Art and her BFA from Washington University in St. Louis in drawing and printmaking.  Ms. Buxenbaum has participated in residencies at the Cité Interational des Artes in Paris, France, the Skowhegan School of Painting, Skowhegan, Maine, The Artists Alliance in New York City, and the Byrdcliffe Artist In Residence, in Woodstock, NY.  Her work has been included in several exhibitions including the Studio Museum of Harlem (NYC, NY), Samson Projects (Boston, MA), the Kentler International Drawing Space (Brooklyn, NY), the Ingalls Gallery (Miami, FL), and Rush Arts (NYC, NY). She is currently an Associate Professor of painting, and the Coordinator of Fine Arts Discipline in the Department of Performing and Fine Arts, at York College in Jamaica, NY.

Painting by Nina Buxenbaum

Visit Nina’s Official site here:: http://www.ninabuxenbaum.com

How to transplant your Energy into others through Story-telling.

How to transplant your Energy into others through Story-telling.

"The Idea" painting by Ryan Seslow 2011

I love to tell stories, it is a very important ingredient in my teaching practice.  I have discovered this in my reflections, but only recently. It took a few pages of unedited allowance writing to discover this. If you know me personally, you may not believe that, but I do feel this way, it just hit me. I had to answer a few questions that I prepared for myself. One of which was: “What do I love most about teaching?” The answers, one: the feeling that I have before, during and after I prepare content and explain the information to people. Two: the feeling that I have before, during and after I make a connection with another person as they are learning something new. Three: the feeling that I have before, during and after watching another person demonstrate what they have learned as they personalize and create their own style. Four: the feeling that I have before, during and after I learn from that same person through our exchange. Five: the feeling that I have as I am humbled by the experience as a whole. These interactions are based on a series of stories that are told along the way. I love to tell a story. Stories fit in well as I present factual or even subjective content, or if I talk about a show I recently attended, or a new art form or artist that I am inspired by, or simply by the magic of life itself. It feels fantastic. In process, I am enthusiastic, energetic, and happy. This radiates out of me. I am aware of this, and this self-awareness seems to expand. This affects my physiology in a very positive way. I feel alive, I’m aware of how good the mind, body and souls feels, all working together in harmony. Why wouldn’t I share that? So, what is a story, and how can they be used to help people learn, or just help others in general? These are two questions that I wrote down immediately after I answer the first one about teaching. A story is essentially a work of art, It is an ancient, very beautiful art form. Story telling requires one to build a technique and style, and then stay true to that style while adapting to your listeners. The intuition has fun with this, and it will surprise you quite often. Stories have the power to create and carry the imagination. A subject that is NOT taught in any school, anywhere on this planet, well not yet, I am working on that. Stories, and the way that you tell them help others create mental visions and images. They are scenes and situations of potentiality being transferred through the energy and enthusiasm of the teller. As an educator in the field of art, this is my greatest asset. I didn’t realize, when I sought out on my journey to become a college art professor, that I was in training to become a super communicator, and a router of information exchange and facilitation. More importantly, I have learned, the importance is in HOW that information is being transferred and communicated so that each person will retain it, and hopefully apply it. I have had some really good practice with this idea of story telling as a means of inspired communication. Not only with students, but with colleagues, administrators and fellow human beings in general. I have learned so much teaching 6-8 different courses each semester simultaneously between four colleges since the fall of 2004. I average about 70-90 students each 15 week semester, and another 30-45 over the summers. I have been taking notes about my interactions with people, and how they learn! I am in the business of dealing with real people, online and offline. I love that. I am happy to, and will share my experiences on this blog, but back to the subject at hand. You can teach people interesting facts about  anything by telling stories, one’s own personal stories, experiences and discoveries, or by sharing the stories of others that have and do inspire you. Question, how often do you share information that inspires you? Sometimes? Never? Here’s why you should, you can open another person’s eyes to color and processes, natural and synthetic contrasts, one’s unquestioned beliefs, and life changes for the better. A story can awaken something in someone, something that they did not know existed inside of them. That story can be the catalyst for someone to take action! Motivated, energetic action. Story telling is an art, it is also a form of entertainment because of the effects it leaves on others. Not only do stories create mental images, but they evoke FEELINGS! A strong mental image + an inspired feeling = action, inspiration and most of all creativity. Your human potential is written all over that. Much like a play, or through a film, a stories immediate purpose is intended for the pleasure of the person listening. This pleasure fuels the formula stated above. When one’s eyes meet with the gaze of the listener naturally and constantly, expression responds through natural rapport, sometimes even with little effort, the connection can be immediate.  The story teller who has given the listener pleasure has added a fact, idea, feeling, or philosophy to the content of their minds.  Something has been added to the essence of their souls, a doorway opens, a light switch become visible. Learning through a story telling approach gives others an exercise opportunity for the emotional muscles of the brain and the human spirit. This is a wonderful habit for one to form. I promise you that this will open up new windows to the imagination. The imagination is another resource with which I will be writing a lot more about here, I view it to be our greatest human asset. As an educator, and a humble service to other fellow human beings, it is my intention to inspire and enrich spiritual experiences in others through learning, to stimulate and induce healthy reflective exercises with measurable results. This essay is one half of a two part post. Part two will re-cap some of the reflections and break down the step by step process of using a story telling strategy as a teaching method.

Chris Guillebeau is a fantastic writer and author who I have recently discovered on twitter. This lead to me subscribing to his blog, downloading his manifesto and resonating with his inspiring material. He is a fantastic story teller and educator on lifestyle design. It has fueled and induced me into taking inspired action to create this blog post. Thank you Chris! Please by all means take a look at his blog here:: http://chrisguillebeau.com/3×5/

Artist Profile:: Ted Mikulski

Artist Profile:: Ted Mikulski

I met Ted Mikulski on twitter over two years ago. We connected right away. He is one of the most energetic and prolific artists that I know. He does more than dabble in several different mediums, he integrates them all together through a unique experimentation process. Ted’s style is self expressive, witty and also production based. Ted is a leader and a teacher. He has a lot to say and share. I witnessed this right from the start of our connection. Effortlessly, Ted organizes many different things together to find their relationships and their contrasts. He activates people to new levels of awareness. He is the author of a great book titled: “Art is Dead”. The book questions art appreciation in America. You can check it out here – http://www.artisdeadbook.com. Ted has been showing his work quite a bit this year. He had a solo show and curated a group exhibition in the Chapman gallery at Iona College where I teach intro and intermediate sculpture, as well as art appreciation. They were two of the best shows that I had experienced this year in that space. I can’t leak the details as of yet, but I will be participating in a big three-man show this coming spring in NYC with Ted and Borbay. We are all looking forward to it. The connections that I have made with these artists continue to prove the power of social media.

 
Artist :: Ted Mikulski

Bio:
“Ted Mikulski is an innovative artist with a studio based in Connecticut. Ted studied architecture and applies his knowledge of space and form to his art. He likes large surfaces, which allow him to be freer with paint and material in order to express an overall concept. He combines media to develop figurative and non-figurative elements to work in the cohesion of an exhibition or presentation space. Originally known for his abstract expressionism, he has branched out into installation work and pop-art hybrids. As an accomplished author and adjunct professor, he is an emerging figure making his mark on the New England art scene. With innovative and bold art that consistently draws in its viewers, he is an artist to watch.” -Steve Stone, Artist. 

Works by Ted Mikulski

      The Norwich record published a great article about Ted and his work here:: http://thenorwichrecord.com/?p=1897

website: http://tedmikulski.com/
blog: http://tedmikulski.wordpress.com/
twitter: http://twitter.com/#!/TedMikulski
facebook: http://www.facebook.com/pages/Ted-Mikulski/126060460571

Keeping a digital image idea archive is useful, here’s why.

ryan seslow

Keyboard cast in paper pulp / 2011 limited edition

Keeping a digital image idea archive is useful, here’s why.

Artists and creatives, how do you keep track of all of your ideas? How do you record and document your works in progress? What about a concise record of all of your completed works? How about all of those endless brainstorms and idea fragments that are so quickly lost if you do not record them in some way shape or form? Technology rules here in late 2011. Yes, keeping a sketch book is still a great idea, and we all should continue to do that, but has the context changed of what a sketchbook is? I believe it has evolved. I think that its upkeep requires a bit more responsibility. Perhaps it is an integration of both the traditional drawn and written technique now synthesized with a mobile technology based device (digital camera, camera phone, ipad, laptop, smart phone, ect…) If you’re a working artist, and or a super passionate creative person who makes tangible things, chances are that you have filled an endless number of sketch books in your time. Depending on your age perhaps, but I’m sure we have all faced the issue of “Where the heck is that great concept sketch I did last summer?” So, you begin your quest, tirelessly searching through volumes of past sketchbooks, and random papers not finding what you need. Perhaps you even became sidetracked by several other conflicting ideas from 1999… Maybe you like this exercise in conscious intentional distraction? If so, great. I tend to like a bit more immediacy and efficiency with my research time. We are all busy, time management is key for anyone living in today’s busy world. Chances are, you also have other life related responsibilities besides your art/art making passion. Its time to create a digital image archive for yourself. Label it properly by breaking it into folders that easily categorize your disciplines and subjects. Everything and everyone is becoming more and more mobile. The beauty of technology allows for us to work and access “our stuff” from anywhere anytime. I personally love using sites and application like Flickr, Dropbox, icloud, iphoto, and even google docs has had an upgrade to a presentation layout based style for image spreads. I am also a teaching artist, so for me, having access to my idea image archive is crucial. The services listed above are just a few but they certainly do the trick. You will need your own digital camera for the sake of documentation. I know that camera phones have come a long way over the last 5 years, and they will work for immediate capture sketches, but for the sake of high resolution, something better will be necessary. Even if it is for photographing your hand drawn sketches. I work on a mac operating system so I import my images into iphoto. This application easily allows for me to spread myself out a bit over the web. Back up and sharing accessibility is key here. I also have a few external hard drives for extended back up, but I also love using flickr. If you do not know about flickr, you can check it out here http://www.flickr.com it’s free to sign up, and it gives you plenty of free space for a while. Over time, and if you post and upload on a frequent basis, you will have to upgrade to a pro/unlimited account. This is perfect for the small yearly subscription fee. I have made a ton of friends and contacts using flickr. Frequent visitors and other artists comment and send me feedback on a regular basis. Flickr allows for me to show my works in progress. This helps me trace and retain my process. I use these images for creating my lesson plans, and also my next bodies of work. By participating and responding to other people’s images builds the relationships. Flickr allows for one to also post images directly to your wordpress, twitter, tumblr, and facebook pages. Feedback on my works while they are in progress continues to remind me that each idea that I have has the potential to expand. We may see it one way, but others will perceive it a whole other way. I have realized, one must participate in the expanding dialog with his or her own work and ideas. Images tell stories, and can become the formulas for what happens next. We can do this by getting to know our ideas/images. By spending time with them, and expanding the ways that we may receive “viewers”. The world has become your gallery, if you will. When was the last time you cruised through your images of works and ideas from 5 years ago? Ten years ago? Or last year? Do you have that kind of management of your ideas and works? Revisiting your images of older works and the current works in progress will help you extend those ideas. You will add to them or make important critical choices to regain clarity of their direction. I promise you this. Our own ideas and concepts have the infinite potential to be revised and further developed. This is a multidisciplinary faculty that every artist and creative should desire. You can view my flickr archive here: http://ww.flickr.com/photos/rmsmovement I’m in the process of writing another post that focuses purely on an exercise that can be done with your image archives. Keep in touch, and please share your own experiences here.

Something about Method and Procedure

As an artist, I have learned that method and procedure must never cease. Our general knowledge of materiality can go deeper than we may have ever known, but we have to allow for it. I spend more than 10 hours each week acquiring and experimenting with various materials. Experimentation through materiality is precisely how I developed a comprehensive understanding of the materials that I use for each body of work. Through these exercises in the lab (studio) I have discovered how the body is constantly engaged in an action and gesture process. This awareness would become my understanding of why I am so interested in space, and what can and does happen with-in a physical space. This idea alone is a powerful one. I didn’t understand this when I first began studying my own reasoning for why I make art. I have discovered that one has to engage themselves into this thought process first. We must learn how to see the world as art, as a whole, and then deconstruct it. I became conscious that I myself was “a 3D object” just as all human beings are. The only difference between human objects versus any other object is that we are the most intelligent. I am conducting ongoing experiments through the use of various materials to become further acquainted with them. I want to stretch their limits, and find their relationships to other things that may lead me to new skills and knowledge. At the same time I record how each material affects my physical body, and the physical space the actions occur with in. To communicate with process, I feel that one must use their entire being to understand its awareness and control of content. I understand that content is not always going to be joyous, it will sometimes bring out qualities that are of a much more complex nature. It is this exact contrast that helps me retain things.

Artist Profile:: EnikOne

Artist Profile:: EnikOne

I met EnkiOne about 6 years ago. He was one of the first artists that I discovered on Flickr. We connected and have remained in touch there and beyond. I was inspired by Enik’s synthesis of graffiti, street art, and graphic design techniques. He also utilizes screen printing and stencil methods as well. This gives him an edge to create multiple versions of his work. I find that this makes a lot of his work narrative. The characters and images tell stories. As a viewer you will get absorbed into those stories. Enik’s work is engaging and aesthetically interesting, there is always something new to see. His production output is quite prolific as well.  I also enjoy the way that he exposes and shares his works with the world. It is diverse and multidisciplinary. I learn something new each time that I cruise by his sites.

BIO:: EnikOne b. 1972, Los Angeles. Raised in the urban ecology of Southern California, EnikOne absorbed the graffiti and smog filled skylines, yet always paid close attention to his two greatest influences: his sister, an accomplished painter and photographer as well as his father, also a influential photographer. Mimicking the images that surrounded him, he began scripting graffiti during skateboarding excursions and his “throw-ups” and “pieces” became a part of L.A.’s vernacular, adorning freeways, yards, and the occasional metropolitan edifice. Encouraged by local artists, EnikOne’s work matured into an amalgamation of graphic designs, mixing his street art, graffiti, typography, stencils, stickers, paste-ups, and silk screens into a unique style emblematic of the City of Quartz but still unlike most works available. With over two decades of perfecting these methods on the streets, EnikOne has earned the attention of national and international artists, earning prizes in Los Angeles, Portland, and Germany and received invitations to show his work in Italy and South Africa to name a few. Impossible to ignore, EnikOne was asked to join the Hit+Run tour in 2005 and is among the favorites of the many talented works exhibited in these well-attended shows. He continues to experiment with images, wedding the pantheon of graphic design features with a style applauded by the art loving public. Currently, EnikOne resides with his wife & daughter in the Eastside of Los Angeles.

Works by EnikOne

Check out EnikOne’s site here:: http://www.enikone.com

Check out Enik’s flickr:: http://www.flickr.com/photos/enicone/sets

Works by EnikOne

This month EnikOne was asked to a paint new car coming out in 2012 called the Chevy Sonic. This is the 3rd car painted in the series, along with some design inspired from skater Keelan Dadd. You must check out the video links here::

Part 1

Part 2

Link to the original post :: http://wp.me/p2SFO-yT

Something New to Dictate the Habitual.

Video Still Frame from “Ongoing 3″

Something New to Dictate the Habitual.

We all love the fact that we need to control things. It’s a part of our
human make up. Every so often, I feel that it is important to let ourselves
“go a bit” as a result of that. Go, meaning, allow for something new to dictate to the habitual way that we do things. In this case, the way that we make our art, and create our works in general on a regular basis. I believe that all human beings are creators. We are all artists with in context.  This is a
wonderful energy for self discovery, healing, re-inventing the self, and
simply learning. Experimentation is the key. You can choose any medium that you are working in really. I have chosen an older digital video art film in this case. The image above is based on a film that I made in 2005. “Installation ongoing part 3.”  The emphasis of this experimental film is on its narrative and composition, but also on its technique development. Technique meaning,
while I was developing new ways of creating the piece, I
would document and record the process itself. I would then leave those parts unedited for a later critique (to stay out of my own way). I want to make assessments and ask critical questions from the existing works as well as with new pieces while they are in process. I have learned that we should not underestimate the power of our older works or past ideas. They can become quite handy at a later date.  The image above is a video film still held on pause. I let the unedited captured video play and then pause it on various scenes and compositions. These are the ones that I find visually intriguing, aesthetically beautiful, or simply thought-provoking. While I have the single frame in pause mode, I take various snap shots of the images. I then print them out onto transparency paper. The transparencies are then re-projected (with an overhead projector) directly onto the monitor. I have used something that has an
existing still frame while still on pause, and I have worked with moving images as well. Both have created fantastic manual filters. At this point using a variety of
capturing mediums ( digital still cameras, digital video camera, 16 mm
cameras, and various new and outdated camera phones ) I continue to take a series of pictures and videos. This creates a layering effect with various grains and textures. This process allows for many new presentation options. Some of these images are printed, some of them can be re-manipulated with photo-shop, some of them are cut up and placed into collage based arrangements of two-dimensional works on paper. Some of them
will be turned into still frames and displayed with the edited films themselves.   The list goes on, I’m sure that you get the idea. How can you expand your habitual process’ to learn and discover something new? Take some time to reassess what you have been doing. The end of the year is perfect for this. Take stock! Take a look into your index of past works, find the diamonds in the rough, the ones that are waiting to be cultivated by your imagination. You can watch the film here :
www.youtube.com/watch?v=cENdpN_zZyQ

Symbols+Icons+Avatars+Codes=Branding

Symbols+Icons+Avatars+Codes=Branding Ourselves

Consciously and unconsciously we are branding ourselves! This is the fact
of the matter, as I perceive of course. Indeed, some people are doing this
intentionally with much energy and enthusiasm. Others are becoming
aware as the process unfolds. I am one of those people. It did not register at
first because I didn’t plan on anything other than sharing my art and interests. As I think more about it though, hmmm. As an educator, I was hoping that others would learn from my web presence and examples, and in return I would learn from what others were sharing. Seemed simple enough? An exchange of honest use value. It seems to me that the synthesis of our multiple social media networks synced up with our mobile technology devices of choice make us                  ”portable global brands.” Yes, you already knew that, or did you? Wow, that’s a lot of power,  do you like the sound of that? I do. Example: JOHNNY SOMEBODY: THE PORTABLE GLOBAL BRAND!”  A fantastic outlet for self expression, business, marketing, and network building that continues to redefine the ongoing definition of “social media networking business such-ness.” What you say matters. What you put out onto the web matters. It will reach other people, and not just a mere few people. Social media and the use of the web can give one the reach of thousands, and while that escalates, some will begin reaching millions. Incomprehensible? Yeah, really. So, How do you want to influence others? What kind of use value do you have to offer that can inspire and induce others into creative action taking? For some, it is doing what one normally does. The norm today can simply be the awareness that you are a content curator. How cool does that sound? The introduction of Flipboard has certainly proven this idea. It is incredibly “sticky”. I would love to hear Malcolm Gladwell‘s take on flipboard, and it’s stickiness.  In my case it is my ART. I’m simply an artist that wants to share and continue learning from YOU all. I’m not a complex artist. The illustration attached to this post is based on that eureka moment. You know those moments, when you get still for a few minutes and come to this energetic realization. I noticed this as I began to realize what windows are open in my browser simultaneously…. all the time. Right now along with several articles (up to 10) from my “networks” I see, twitter feeds, facebook, flickr, wordpress, tumblr, and gmail windows open… they are breathing, buzzing with energy, awaiting my next command so that they can assist and synthesize my personal formula (and keep it all documented in a nice chronological order.) So, the eureka moment came through a reflection period. As most artists
will often review their past works along with what they are working on, I
like to do this once or twice a week. Reflect and review what I have written,
posted, created and so forth. The illustration above is a fictional brand
packaging recycled from the past. Isn’t this what we do as human beings? We transform existing energy into something new.  It comes directly through my imagination and my unconscious (which absorbs anything and everything weather you want to or not) , this is my release. I’m on a serious mission… having FUN with branding myself.

Thoughts on Content, Materiality, & Video Art.

Various Video Art Still Frames.

The choices made upon selecting content and materiality are endless, profound and simply brilliant! Especially when a breakthrough has been made, materials communicate meaning. In most cases, quite literally, our conscious mind is very objective when it discovers objects, and or what they resemble. The various types of materials I have been synthesizing through my artistic examinations are fragments of : wood, metal, steel, polyester / fiber glass resins, clay, textiles & fabric, canvas, paper, paint, ink, plastic, plaster, various wire types, video, media technology, soil, outdoor environments, found items, recyclables, time, space, and human beings. Every physical thing has form. Form is a fragmented term that I feel serves as many things. I identify myself as a 3 dimensional form with-in a reality of 3 dimensional forms. Form is a way that my process imposes upon my ideas to exercise them. Form is an infinite vastness that can never run dry of its supply, when linked to formal art terms, my studies experiment with mass, volume, contour line, texture, structures, space and time. The ongoing examination of ”the artist as the art” induced the process of frequent documentation. I began using film and video about 10 years ago. The medium itself always seemed to occupy me. I carefully began a chronological index of narratives. Unedited ramblings from the stream of consciousness if you will. The art of allowing. My intention began as simply documenting the perception of self as Art. I had no idea that it would evolve so fast. The use of the camera allows for me to see more from another perspective. A perspective that was intentionally created. An identity that was forged out of repetitive ideas, visions and intuitions. One that is just outside the watcher. On a semi-daily basis I will capture aspects and highlights of the day. I experiment with video as a means to fuse what I now call “modular films.” Meaning, many parts come together over time to make up the whole. The whole keeps evolving. And that is how the muse and character: ”Professor Universe” was created. I am micro-testing the interdependent behaviors of the earth-bound ego in relationship to the creative human potential. These behaviors function in contrast to current events, and social-issues as I perceive them. At this point the films are very important for extending the infancy of ideas as they evolve into larger plans. The ongoing project is a verbally narrated one. The films a fragment of my art making process. I am able to utilize an aesthetic role with experimental forms. People respond to the Internet, television, and movies, they identify with the viewing shape of the rectangle . I am currently using this form to work with. I feel that my non film and video work also has a very narrative quality. The use of everyday objects reflect the usage of time. Scripted verbal narratives can activate and induce a physical or emotional character with in you, one that you may not know yet. This is where Professor Universe is emerging from. A line is the edge of a contour that travels the boundaries of shapes, objects, and masses. Line itself is a thin mass; a moving essence of controlled friction applied to a surface. For many years I struggled with the illusion of line as only two-dimensional. To break free of this concept with the limited usage of such a profound simplicity I had to challenge myself to a great degree. Time is linear, it can be measured. The potential of who and what occurs with in this selected measurement is incredibly powerful. A film or video art work is a time based motion related work of art.

I have created a specific page here on my blog where you can screen a selected series of my video art and experimental narrative films :: http://theongoingrms.wordpress.com/understanding-professor-universe

Art work of the Month:: January 2012 “Drawing Transcends”

"Drawing Trancsends"


Art Work of the Month :: January 2012

Happy New Year!
“Drawing Transcends”
Imprints are left in many ways, more than I can say here in one breathe. We are all participants in the process of creating them. The action of Drawing has always been my muse for expressive immediacy. Dancing may be faster, or even the spoken word, but I prefer drawing. Drawing gives me the ability to be communicative in several fast linear gestures. I can control them, or not. I can save them, or not. I can add to them, or not. As an artist, I want to leave temporary marks upon the world, marks that are as ephemeral as our physical lives. Like all things, even the context of my drawings will change. I created this piece as a metaphor for this idea. Its a sculpture. It is tangible. It can rest on a flat plane vertically or horizontally, but you, the viewer will not experience the work this way. You can only see it as an image. A flat two dimensional image. I have solidified an outdated computer mouse onto an etch-a-sketch ( a time transcending device ). These are two instruments that I have created drawings with. They are extensions of the traditional mediums that I learned to draw with. I liked that idea. I have not retained any of my etch-a-sketch drawings over time, they were all shaken away so that new drawings could be made. The power to decide when to this always intrigued me, even as a child. At the time, I digital cameras were not yet in existence, so I didn’t record these drawings. This was OK. I was more interested in making new drawings. I suppose I could purchase another etch-a-sketch, and do something with new technology, and perhaps I may. I will only reflect on that for now. The outdated mouse is another reminder of how all synthetic things evolve, both in function and design. Think of all of the countless invisible lines that you have created while using your computer’s mouse…oh, you never thought of it that way? Those lines are all gone. I painted the piece all one color. This unifies the piece as one whole form. They are no longer separate entities. Our perceptions, interpretations, and overall sense of awareness is powerful. It continues to redefine the way that I look and participate in the world.

This piece has been submitted as a part of The Fabelist’s Imprint Festival in London, 1/27/12 more info here:: http://www.thefabelist.com/imprint-festival